About Ruairi Glynn
In Progress
Our students of MArch Design for Performance and Interaction at the Bartlett School of Architecture contributed to Ars Electronica 2021 Festival with an exhibition around the subject of contemporary PolySocial Realities. This video shows interviews with the students presenting work … Read More
The heart of the Interactive Architecture Lab is its Masters in Design for Performance & Interaction (MArch). Based at The Bartlett School of Architecture, it explores what happens when we design not in three dimensions but four. The radical, interdisciplinary … Read More
11:00 – 18:00, 29 April 2020 please join our students as they present prototypes of interactive installations, immersive virtual environments, wearable technologies and a wide variety of audio and visual art forms online. Work will be shared throughout the fair … Read More
The Bartlett’s Interactive Architecture Lab has teamed up with Late at Tate Britain for a one night public show of performances, interactive installations, and participatory workshops to celebrate the Bauhaus centenary and its continuing influence. As Bauhaus master Paul Klee … Read More
We’re pleased to announce the Interactive Architecture Lab returns to Linz, Austria for its second time exhibiting at the legendary Ars Electronica Festival.
“Look only at the movements – and they will bring you to matter.” SIX MOVEMENTS showcases six … Read More
Prototypes in Public is the first distributed exhibition of the Interactive Architecture Lab, presented across London at the Barbican Centre, Tate Britain, Fold Nightclub and Samsung Flagship Store. These venues with their different audiences act as a testbed for work … Read More
The Interactive Architecture Lab is organising the first Bartlett Creative Coding Summer School 9-20 September 2019. The course introduces participants to computer programming as a creative discipline for expression. Whether you are an artist, designer, or architect, creative coding can offer … Read More
This thesis explores the perception of ‘liveliness’, or ‘animacy’, in robotically driven artefacts. This perception is irresistible, pervasive, aesthetically potent and poorly understood. I argue that the Cartesian rationalist tendencies of robotic and artificial intelligence research cultures, and associated cognitivist … Read More
At the Bartlett School of Architecture, University College London — the UK’s leading and largest Faculty of the Built Environment — we have a new 15-month Masters programme Design for Performance & Interaction offering students an opportunity to learning about Design in 4 … Read More
On behalf of the staff and students of the Bartlett’s new masters programme M.Arch Design for Performance & Interaction we would like to invite you to join us for our first Graduate Project Faire on the 14th December at UCL … Read More
As stage technology, such as sound and lighting, is evolving to be more and more an immersive experience rather than just framing performance, this work questions whether the stage, as well as the per...
